By: Dave Canfield |
Tuesday March 22, 2005 |
RatingPG-13 Genreanimated StarringAnna Paquin, Alfred Molina, Patrick Stewart Directed byKatsuhiro Otomo PublisherSony Pictures External Links |
I felt it snap just below the base of my skull sending a hot pain up the
right back side of my head causing my eye to tear and my hand to
involuntarily massage the back of my neck. Located at the base of the brain
the hype muscle has only been recently documented by the medical community
and that only because of the intense workout the muscle has gotten in recent
years as companies work overtime marketing their "media products" to
consumers. As near as anyone can tell the hype muscle lies dormant until it
comes into contact with corporate hype. But should the hype fail to live up
to the tension it has generated in the muscle painful spasms can result. In
the case of Steamboy I'm lucky I wasn't hospitalized.
Any film toting itself as "the new film from the creator of Akira" is
positioning itself. If I sound na¯ve in my bitterness then let's review the
year anime has given us stateside thus far. Sky Blue, Appleseed, and Ghost
in the Shell 2 all promised ground breaking, breathtaking myth-scapes to
explore. Despite some disappointment in a recent article I even defended the
relative narrative immaturity of the anime form as offering the same sort of
resonance provided by the fantasy's of Ray Harryhausen which create their
own mythic landscapes whenever their stop motion animated monsters strut
onscreen. But I also noted that Akira had been, within my admittedly limited
experience, the best of the anime films that had received wide theatrical
distribution in the United States. So when a film offers as it's main
credential the reputation of Akira's creator I have the right to some
expectations.
And so should anime fans who certainly shouldn't settle to be pandered to by
the lukewarm mess that is Steamboy. On the surface it sounds promising. A
young boy Rei comes into possession of his grandfather and fathers
marvelously powerful steam technology in the form of a "steam ball" just
before the World Expo. Even as he is on the run from his fathers powerful
Ohara Foundation, who want to use the steam ball for their war profiteering
the men he runs to turn out to be little better, desiring to use the device
to power weapons in their drive for world domination. Can Rei and his
grandfather save Rei's father and the marvelous new invention? Or must it be
destroyed to keep the world safe from itself?
Originally a number of us critics groused that we were only being screened
the 106 minute subtitled version. It wasn't the subtitles, but the fact that
the Japanese version was some fifteen minutes longer and was being made
available to the general public. But the problem with the Steamboy I saw isn't the missing 15
minutes. For a movie depending so heavily on Vernian charms Steamboy shows a
striking lack of originality. The few truly eye popping visuals are
surrounded by ad nauseum pronouncements about the abuse of science and how
it should be used for the good of mankind. How about the arts? In particular
the art of storytelling.
We get cutting edge looks at gears grinding and things exploding, but little
of the wonder that has made Akira a true anime classic. The story gains a
little thematically by being set in this time period but it seems apparent
that Otomo seeks to inspire not with taking advantage of the way his
anachronistic tech works in it's setting but with cutting edge animation
techniques, and that's exactly how the movie plays out, as a tired exercise
in technique despite a truly great opening sequence and chase. By the time
the film takes to the skies, offering up Rei as a sort of Rocketeer Jr.,
there's the sense that the mechanistic and the mystic should have meshed
perfectly making Steamboy a modern day Vernian epic instead of another empty
spectacle. Eight years in the making, Steamboy is the most expensive
animated Japanese film ever and contains about 400 3D Cuts and 180,000
individual drawings. How can anything with this many moving parts fail to
move me at all?