By: Ryan Herzog |
Tuesday January 18, 2005 |
GenreRock PublisherKanine Records External Links |
Oxford Collapse released their first LP, Some Wilderness, below the
radar of the over-hyped New York Art Rock push of recent memory. The
Brooklyn threesome can be summed up as one part
Franz-like-dance-beat-bass-lines over one-part Rum-Diary-esque indie space
pounds, fronted by one-part pinched megaphone vocal chord calls.
On Land!, lead singer/guitarist Michael Pace chants an urgent
La-Da-Da-Da-La-Da-Da-Da-Da over a swirling pounding space intro
filled in with heavy looping guitar. 1991 Kids has some of that
hooky bass previously mentioned with more of the same franticly loose and
muffled singing.
Upon the first couple listens, the vocals can be somewhat of a distraction
when compared to the amazing musical output, but let them sink into the
background and enjoy the bouncy head bopping beats and
indie-guitar-rock-space-outs and that distraction should become nothing more
than white noise.
I would nominate the track, Melting the Ice Queen to be included on
the year-end Static Review Mix, if there is such a thing. Melting the
Ice Queen, clocking in at 6:34, is a slow building prog-rock blast-off
jam that includes handclaps and start-stop-restarts. This, the album's
longest and best song, sums up the sound and potential of these art rockers.
Melting the Ice Queen is the one song that has been included from
their self-titled EP. Listen to it, quote it by name, and impress your
friends with your newly found indie-rock cred.
These guys have a genius knack for song titles. From The Money You Have
Is Maybe Too Little, Totally Gay, Totally Fat, For Buds, Not
Boston, and The Tribal Rites Of The New Saturday Night are all
hilarious titles and worthy listens as well. Totally Gay, Totally
Fat proves to be a good one-two punch follow up to ...Ice Queen
with its howling ahh-woo vocal and infectious bass beat.
With Some Wilderness, Oxford Collapse should start making some blips
on musical radars. Their tight mix of space, loose punk, and
dance-floor-bass-lines are unique. Pay attention to this band, something
great is in store. The one bit of discouraging news is that bassist Yong
Sing Da Silva has already left the group for other endeavors. Let's hope
his replacement can fill his formidable shoes without too much discomfort
and Oxford Collapse can fulfill the promise and potential put out in their
debut full-length.