By: Michael Tatum |
Tuesday January 18, 2005 |
Genrerock PublisherDomino Records |
This Liverpool
quartet has an undeniable sound: guitars-keybs-drums pulsating on minor
key drones, with simple but effective clarinet or melodica lines sidewinding
back and forth for melodic interest. Unfortunately, across their three
records, they've done nothing with their sound beyond perpetuating it --
because their strategy rarely varies, individual songs rarely leap out,
and only album to album do they alter the recipe slightly, via production.
On 2002's Walking With Thee, the vibe was cold, sterile, and, shall
we say, clinical.
With Bowie producer Ken Scott in the control booth,
this time they wisely take a more organic approach that pays off with
the first-rate rave up "W.D.Y.Y.B.," as well as a few others that work
best when the band tweaks their formula -- dig that '70s soul takeoff
"Falstaff." But once again, even though the album impresses on a cut
by cut basis, taken as a whole, the margins of differentiation are too
minute and subtle for any casual fan to sort through. Maybe if melodica
player Ade Blackburn or clarinetist Hartley learned that drones were made
to sprinkle alluring melodies on top of rather than to use as an excuse
to fall back on three note minimalism, their songs would have more to
grab onto. Better vocals might help, too.