By: Ian Pointer |
Tuesday January 18, 2005 |
Genrerock PublisherDrive-Thru Records External Links |
Hellogoodbye are simply too young; their name is taken from an old
Saved By The Bell episode, and the first song on their debut EP samples
an IM talk notification (very disconcerting if you're listening to the
record through your computer). Still, they can't help it. The group has
been together for two years, but the quartet have been Californian
schoolmates from an early age, eventually forming a band around lead
vocalist/guitarist Forrest Kline's charming little songs about teen
love. Hellogoodbye was given away for free through their record
company's website, where it was downloaded an impressive 350,000 times.
Now, it has been given a full CD release.
"Shimmy Shimmy Quarter Turn" sets the tone for the whole EP; the
obligatory guitar, mixed in with keyboards that sound like a defective
Nintendo Entertainment System, ever-so-slightly vocoded vocals, and
lots of little samples littered on the way. "Call and Return" is
similar, mixing teen insecurity with the NES-chic synths and infectious
hand-claps. There's nothing radically new about these songs, but the
odd sampling techniques make them sound fresh and exciting.
"Bonnie Taylor Shakedown" appears twice on the EP, coming back at the
end for a 2004 remix, which sounds rougher and faster than the
original. Either way, though, this is once again highly enjoyable
synthpop. Lyrics like "Visit you at Baskin Robbins all the time / To
let you know that I am yours and you are mine," might be a little
sickly, but I can't be too hard on a song that includes "My Bonnie Lies
Over The Ocean" for its chorus.
"Jesse Buy Nothing
" is the let-down track. The band admit that it's
just a joke (the lyrics sheet for the song simply says "Unintelligible
German Screaming"), but it is awful; parts of it sound like an unwise
attempt to sound like the Beatie Boys' "Fight For Your Right To Party",
while the rest is just very annoying. At three minutes, it overstays
its welcome quite considerably.
Thankfully, the final song of the EP, "Dear Jamie
Sincerely Me" is good
enough to make you forget all about the previous monstrosity. It's
about the awkwardness of writing a love letter; whether to write in
pencil, or whether printer ink is impersonal (a helpful tip, from
experience: never go with the printer ink. Pen or pencil should be your
only options), and the narrator of the song is constantly worrying
whether he'll be rejected for "other folks who've got more to say."
It's really sweet, and an an interesting touch is that when the lyrics
come to a natural conclusion, the song doesn't end. Instead, it
continues for another four minutes with an instrumental driven by a
simple synth melody, gently fading out to the sounds of Californian
traffic. I like to think of it as the character in the song actually
going and delivering the letter.
As a debut EP, Hellogoodbye shows a lot of promise. Their first
full album is scheduled to come out in May 2005, and if they can
control their love of novelty tracks, it should be worth waiting for.