By: Matt Drufke |
Tuesday February 08, 2005 |
Genrerock PublisherLittle Pony Records External Links |
Though I've never been, I can't imagine that Siberia is exactly the
cheeriest spot for someone to visit. Perhaps the northern area of
Russia is the victim of a bad public relations fiasco, or perhaps reports
that the area is a cold and lifeless block of barren ice are true. After
listening to Harm's Way, the album from mope-rockers
Siberia, I feel as if I've visited a place where nothing good or
happy could possibly exist or survive.
Harm's Way is a depressing album, both in content and delivery. It's not
that the entire album is just patently depressing, but it is so morosely
uninspired. Over brooding guitars, lead singer Randy Farmer lets the world know
how miserable she is. From the very first lines in "Lie Down," the opening
track, she's playing the role of battered wife, asking someone to "Tell me why
I abuse myself/Tell me why I let you use me." Sometimes Farmer wonders why
she's so miserable, but most of the time she narrows her focus down to one
group: Men.
Throughout it all, Farmer whispers and softly moans the lyrics.
This is not a woman angry that she has been scorned, this is just a woman
depressed at her lot in life. There's a lot of moping, and it grows tiresome
fast. On "Cold", she instructs someone to "Sell me, I'm already
sold/Kill me, I'm already cold." On "Quicksand," she states that "I wish I
felt something other than this." After a while, I couldn't help but think that
Farmer is someone in desperate need of a cute little puppy to turn that frown
upside down.
Albums like this aren't supposed to be cheery pick-me-ups, that's
understandable. But Harm's Way does nothing to impress. The music,
written by John Mitchell, is bland and dull and Farmer's voice just gets
irritating as the album wears on. Harm's Way is as depressing and barren
as the band's namesake. When you're done with this trip to Siberia, you
certainly feel as if you've contracted hypothermia.