By: Donna Brown |
Wednesday February 23, 2005 |
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It's extra tough for any techno boffins to survive in today's populist bedroom
DJ culture, much less a groundbreaking consortium like the Chemical Brothers.
As if hairstyles and attitudes in electronica were not difficult enough to
follow, there's also the problem of configuration. When the Chems started out
it was fashionable to be a two-piece, funny-sunglasses-wearing dance machine
(see Orbital), but times soon changed. Pretty soon you needed a girl singer for
extra visual oomph (let's face it, some of these dudes should probably just stay
in there bedrooms, and you know who you are, Mike Paradinas). Then things just
got nutty. The point is that even though this seemingly insignificant fashion
pendulum, which has outlived even The Face magazine as an electronica arbiter,
has swung back in the direction of Tom Rowlands and Ed Simons, it means nothing
if the group itself does not move with the times.
Unfortunately, the Chemical Brothers choose to remain in 1997. One listen to
Push the Button confirms that the duo obviously regard the Year They
Broke Electronica, Maaaan as Year Zero, and therefore judge all dance by
that (admittedly) watershed year. The problem, once again, is the pendulum. If
you think fashion moves fast, just imagine technology. Things have changed so
much that analog whores LCD Soundsystem manage to appear wrapped in the caul of
some unforeseen future of dance, while Push The Button's time-honored
formula of stale beats and guest rappers is hopelessly dated. There are a few
bright spots. Q-Tip's appearance on the single "Galvanize" is promising, if
overbearing. "Shake Break Bounce" manages to bring a bit of two-step garage
into the Chems' insular world, to pleasantly jarring effect. But it's not
enough. Dance music is most invigorating when it allows for disparate elements
to come together organically, not in the cut-and-paste manner that Tom and Ed
have perfected. Sure, "Block Rockin' Beats" was awesome, but that was almost ten
years ago. It's time for the Chem Bros to look at the present, and not the past,
if they want a future in dance.