By: E. S. Hurt |
Wednesday March 23, 2005 |
Genrerock PublisherSub Pop External Links |
Valende lurches around songform in the manner of Syd Barrett or Red
Krayola or early Beefheart. It all sounds a bit woozy; there are kazoos and
odd percussion instruments, and these two Italian guys sing like they've
ingested helium. This is a dreamscape of how pop music might have developed
if no one had ever discovered the joys of a funky rhythm section.
Interesting how musicians from other countries interpret the great
Anglo-American era of pop experimentation. The tropicalists of Brazil, in
the late '60s, married tales of repression to bright, Beatle-esque melodies,
and in my opinion went the Beatles one better in their combination of
surface pleasure and sub-rosa terror. Jennifer Gentle's lyrics don't give
up anything quite so compelling; this is just pure manipulation of form, a
puppet show becalmed psychedelic-Sargasso Sea-style on a ship whose hold
contains a gross of headless dolls and some old wrap-around sunglasses.
So while this is not a patch on the best of Barrett, Os Mutantes, Roky
Erickson or Skip Spence, fans of those artists might well appreciate this.
Some of the organ squiggles remind me of early Soft Machine, before they
went jazz-rock. Song titles almost tell the whole story here: "I Do Dream
You," "Hessesopoa," "Liquid Coffee," "Nothing Makes Sense." "Hessesopoa" is
the obligatory freakout. "Universal Daughter" moves crabwise sort of like
the Kinks circa "Berkeley Mews" or Barrett anytime, but think "Bike" or
"Dolly Rocker" without any of Barrett's allusion to blues tonality.
In fact, what I find interesting about this is how hard Jennifer Gentle
tries to mimic its sources, and how completely they miss what made early
Floyd or Safe as Milk or Roky or Spence fascinating--these boys ain't
got no blues in them. Whereas most of the early psychedelic bands started
out aping Howlin' Wolf or B. B. King; Pink Floyd is named after two obscure
old bluesmen. These guys sound, yep, kind of Gentle, never demented. And
dementia is missed--yes, dementia is always missed. So, points for trying;
this is pleasant enough. Their hearts are in the right place, just as are
the well-placed cymbal washes and the glockenspiel and the clunky guitar
figures. Sometimes carne in scatola is really just Spam.