By: Nate Roth |
Thursday June 09, 2005 |
Genrerock PublisherMerge Records External Links |
After making 15 years of recordings, you would think it would be time to spread
your musical wings. On Man-Made, Teenage Fanclub have no interest in
exploring their usual musical landscape and intend to stay the course. If you
like that kind of consistency, then you will find no problem with this album.
After a decade and a half of revising the same low profile pop rock, it's a
safe purchase. Just another take on the same tired genre.
It seems the only markedly different thing on this album is that it was recorded
in Chicago, and judging from the promo sheet, they are excited about that.
What's to be excited about? I'm not sure, as far as I know about the recording
process they have the same instruments, same people, and same method to record
the album as they did back in there hometown of Glasgow, Scotland. It's like
if I decided to sleep a night in Iowa and thought of it as a revolutionary
thing. Sure it'd be different scenery, but I'd still have a bed and be able to
wiggle in seven hours of sweet dreams in between the night terrors.
Judging Man-Made on its own merits and not the similarities to its
predecessors, Teenage Fanclub bring forth a strong collection of understated
pop rock with an indie edge that isn't as popular today as it was in 1994. The
sweet vocal melodies of Norman Blake, Gerard Love, and Raymond McGinley about
lost love make for great, if uninspired, Saturday moping around the house
music.
One of the stronger tracks, "Only With You" tackles the usual missing or leaving
love of your life, but has great instrumentation and a haunting piano chorus
that you will get lost in. "Fallen Leaves" could have been ripped right out of
the Badfinger canon and it's sickening how non-threatening this song is. "Born
Under a Good Sign" is a Nuggets inspired jangle track with the best guitar work
on the CD, an interesting solo and the only real spot on the whole disc where
they let loose.
Man-Made is the sound of a band running out of ideas, where they should
be at the point of their careers to musically grow. Maybe they already tried
that and figured this was the only genre they can excel in, and kudos to them
for staying together and working on the craft they enjoy so much. But maybe
it's time to try other pursuits than updating the same sound every two or three
years. On its own merits Man-Made is solid, but in retrospect it just
sounds like a tired band going through the motions.