By: Ryan Herzog |
Wednesday June 14, 2006 |
Genrerock PublisherNorth Street Records External Links |
There aren't too many descriptions about Dirty On Purpose's second full length Hallelujah Sirens that hasn't already been culled up from the critics handbook of oft-used phrases. Even their label's website North Street Records can't come up with anything better than, "'Dreamy indie-pop with lush wall of sound guitars and occasional accents of distortion,' (somebody else wrote that once, we can't come up with anything better)."
Hallelujah Sirens is a cliché-ridden album with the quiet-loud-quiet-crunch template of early nineties alternative underground rock updated with some space-crunch Rum Diary buildups and a coated sheen of Built To Spill influence.
The only reprieve from the repeated patterns is the hazy-brass line played on the opening track "No Radio," that has the album heading in a different pop direction than it ultimately veers into as the horns never make another appearance again on the record.
"Car No Driver," carries a Pumpkins riff with steel-barrel drumming and muted vocals that never come into focus, a mesmerizing piece of work suitable for head bopping background noise during long stretches of work or study when you don't give a damn about vocals or lyrics but just need some driving noise with a little bit of melody to keep you focused on killing time. "Monument" is an instrumental barnburner deserving of a few listens and "Light Pollution" is a pretty good mellow tune. Other than that, the album holds together fairly well, but there really isn't anything groundbreaking or extra special to be found on Hallelujah Sirens.