By: David Fox |
Wednesday July 12, 2006 |
Genrerock PublisherYep Roc Records External Links |
Imagine if you will a filthy, LSD-induced orgy involving Dick Dale, the Reverend
Horton Heat, Jerry Lee Lewis, Loretta Lynn, and Emmylou Harris. Lets say Lynn or
Harris conceived that night a mutant red-neck surfer trash hipster from the
south. That baby would be Rick Miller, the alpha-Billy of North Carolina
rocka-billy party band Southern Culture on the Skids.
Apparently, these guys referred to as SCOTS by their cultish fans, frequently
request that they attend shows equipped with fried chicken for eating and that
they wear the chicken buckets on their heads. Also, they seem to enjoy throwing
banana pudding on them. Sounds like good clean fun really. This wild raunchiness
that has been so popular among college boys and grease monkeys alike across the
south for the past fifteen years has finally been brought to life on a recorded
live session called Doublewide and Live from somewhere in their home town
of Chapel Hill North Carolina.
After listening to the album once, I could only imagine how freaking awesome it
must have been to have been in attendance that night. The set list partied
through sixteen tracks that go from Cash-style trash country to Dale-ian surf
fuzz to Reverend Horton Heat rocka-billy; I guess we could call this
surfabilly. No?
The best thing about Doublewide and Live is that the songs are good
enough to keep the trailer park party rolling all night long. Most live albums
are no fun to listen to because they simply just don't sound as good as the
recorded versions of the songs. On a good live album you want to be able to
feel the excitement of that night every time you listen. The fans must be as
enthusiastic as SCOTS when they play through songs like "Big Pine Tree and
"Ditch Diggin'." The live show must also be a perfect mix of fan favorites and
songs that the band really loves to play.
SCOTS tear through "'69 El Comino," the gritty "Cheap Motel" and the ska-ish
"Liquored Up" like psycho hillbillies from hell. The highlights of the session
however, are the Dick Dale tributes "The Wet Spot" and "Meximelt" where Rick
Miller shows off his gnarly ability to get radical on the strings.
This album covers more genres and styles than a three day mix-music festival.
Whether you're into surfing and partying on the beach, drinking whiskey and
whooping some ass, or forcing new pledges to do dirty things to sheep, this
album is perfect for the occasion.