By: Edd Hurt |
Monday July 16, 2007 |
Genrejazz PublisherSonglines External Links |
Sixteen performances on two discs, and recorded live last summer, The Sonic Temple showcases drummer Jerry Granelli's perfect touch, pitch and ear for the almost-melancholy emotional statement. The music here is spidery and seemingly undefined, but these compositions gather themselves as they go along. The result is a record that could be characterized as muted blues, or post-blues. As such, it makes a great companion to one of the best and most underrated jazz records of the '90s, Granelli's A Song I Thought I Heard Buddy Sing, on which the spirit of New Orleans transpired through the strangely still performances. (Buddy, of course, refers to the legendary and shadowy proto-jazz trumpeter, Buddy Bolden, and the record remains a neglected classic, not to mention one that's pretty affecting these days, given the Crescent City's recent travails.)
On disc one, the quartet - Granelli, J. Anthony Granelli on bass, Christian Kogel on guitar, and slide guitarist David Tronzo - sound a bit more up than they do on the second disc, recorded a day later. On disc two, "Immeasurable" cannily suggests blues without sliding into a single cliched lick or section; Granelli sets up a simple, swinging drum pattern that lays the foundation for an out-of-meter composition that is actually quite formal. A simple guitar line that is both bluesy and Monkian contrasts with a gravely descending line, and the subtle dissonances and high harmonics actually sound like blues. Yet they're stark, a bit distanced, and altogether compelling.
Elsewhere, Granelli and V16 do James Brown's "It's a Man's Man's Man's World" as "It's a Man's World," and cut out the grease and melodrama in favor of another low-key but twisted interpretation. The music throughout seems to never rise above a whisper, but this is tough stuff well beyond the reach of your average bunch of jam-band fanatics. It's highly recommended.