Simian Mobile Disco

Genre electronica Publisher Interscope Records External Links Official Interscope Records

Simian Mobile Disco is fronted by English remixers/producers James Ford and James Shaw. Their self titled four track EP was published by interscope records in July 2007 for U.S. release only. Looking to distinguish themselves from their prior projects with, Simian Mobile Disco, or SMD as they are also credited as, revolves around the use of elaborate mixes of synthesizers, drum machines, and other electronic noise devices. It’s also important to note that they are known for using Minimal amounts of instrumentation. The duo are accomplished producers known for their experimental electronic sounds and remixes of modern rock songs. This being said, Simian Mobile Disco is most likely appreciated by dance music enthusiasts.

For their self titled EP, SMD recorded under the supervision of analog equipment in an attempt to create a less digitalized sound. Although this is partially accomplished by way of a warmer feel and a crisper delivery, the music itself is no more a departure from other electronic music than an apple is a departure from being a fruit. There is just nothing about this EP that separates it from others like it except for it‘s authors names; it fails to be anything but extraordinary.

Each of the four track’s sound may fulfill their utility in certain contexts because of careful arrangements of relentless beats and exciting rhythmic explosions, but they are burdened by unoriginality. The songs are heavily programmed and heavily produced by Ford and Shaw despite their quest for something different and unique. They are clever enough to distinguish each song from another, but just barely wise enough to keep them simple enough for the genre. Often times however, it is difficult to notice a difference between songs, or where one song left off and another began.

Like most music from this genre it is geared for it’s dance appeal, not for it’s memorable melodies or musical prowess. There is no lyrical usage in any of the tracks, which makes it even less relatable or humanistic. In place of lyrics SMD deliberately incorporated the use of synthetic noises and sound manipulations. At first this seems like a good idea, but after a while it makes everything about this EP feel somehow redundant and meaningless, whether that’s preferable or not. Ford and Shaw do a good enough job of coherently tying the tracks together under one theme and this allows the songs to sustain themselves for a worthwhile experience. You may notice yourself tapping your foot or nodding your head; but often times this only leads you to believe that something more interesting is about to happen, but unfortunately nothing really does.

Although the Simian Mobile Disco EP may not be something enjoyable while your stuck in rush hour traffic or in the mood for singing in the shower, it’s standardized formula should make it popular in clubs, raves, and other dance parties. Overall, it should be taken for what it is and what it is not: solid yet unoriginal electronic music and nothing more.