By: Raymond Cummings |
Thursday November 08, 2007 |
Genrerap PublisherJive/Zomba External Links |
It's hard to say what's most notable about Underground Kings:
the care and craftsmanship Southern rap vets Pimp C and Bun B put into
this two-disc masterpiece, the consistent listen ability of its 120+
minutes, or the anger and disdain they feel towards the multitude of
half-stepping poseurs who dominate hip-hop's charts. "Cars ain't
drivin' theyself/Mansions ain't building theyself/They waitin' for Ed
McMahon, they need to stop feelin' theyself," indeed, and OG
disappointment's laced with nervousness about entry to Heaven, fierce
regional pride, political reasoning, taut threats, grudging props to
strong women, fetishism of candy-toned classic cars so intense they
could be bragging about women, etc. Typical? Not so, given Bun's
sneered, drawling rhyme-scheming, Pimp's hardened, cell-block bravado,
and oodles of fine, fine beats loaded with guitar licks so bluesy and
fluid that when the vocals fade out you'd be forgiven forgetting that
this is even a rap album. The tone that "Big Dick Cheney and Tony
Snow" – the pair's nicknames this go 'round – maintain can feel so
oppressive and menacing at times, to the point where you almost wish
they'd tone down the crude bitch-ho-nigga rhetoric. Then you realize
these cats have their back up because they believe that the job of
schooling up-and-comers has fallen to them, and they've taken it on
with deadly seriousness. Get past the blue language and the
explicitness and it becomes apparent that they're actually out to save
the genre and everyone who cares about it, one hard knock at a time.